patrickg
Veteran Member
Howdy folks, Thought I'd stir up some hate and discontent on my own instead of having to jump into a fray in progress (catepillar tracks for a tractor thread)
We have been lied to throughout our school days and beyond regarding color.
We are all pretty much taught the additive and subtractive theories of color as we grow up and go to school. You know, blue and yellow make green. Red, blue and green like in a RGB color monitor reproduce the full rainbow of colors visible to the human receptors. Or you can go the Cyan Magenta blah blah blah route.
OK, a thought experiment. If a picture of a color scene of a nice blue tractor (I'm a Kubota owner, the blue has a material bearing on the following discussion) is taken using black and white transparency film (positive film rather than negative, likek a slide but in B&W) exposed through a green filter and the exact same scene is photographed also with B&W transparency film through a red filter. The frames are developed and the resulting transparencies are projected onto a screen one at a time. First lets project the red image through the original red filter.
What do we see? A picture with contrast and rendition based on the amount of red in various objects. The picture could be said to be black and red rather than black and white when viewed on the screen. Now project the picture originally taken through the green filter on the screen but don't use a filter.
What do we see? A black and white image with contrast dependent on the green content of the original scene.
Project the two versions of the scene superimposed on the screen. What do we see?
What indeed. Maybe a pink and black picture. We have red light painting a picture on the screen through a positive transparency and white light painting the same scene through a different transparency. Shouldn't what we see on the screen at any given "POINT" be composed of from 0-100% red mixed with 0-100 white. Shouldn't that be a pink and white picture? Do we see any blue on the blue tractor and if we do where did it come from given we had white light and red light to mix together in shades of pink, how could we get blue?
Right after a few folks volunteer to give a reading on their understanding of what you will see on the screen, I'll amaze you with THE TRUTH and a ref to where to find out more and stuff like that.
Patrick ( Reminded of the way to keep tractor folk in suspense for 24 hrs, , I'll tell y'all tomorow)
We have been lied to throughout our school days and beyond regarding color.
We are all pretty much taught the additive and subtractive theories of color as we grow up and go to school. You know, blue and yellow make green. Red, blue and green like in a RGB color monitor reproduce the full rainbow of colors visible to the human receptors. Or you can go the Cyan Magenta blah blah blah route.
OK, a thought experiment. If a picture of a color scene of a nice blue tractor (I'm a Kubota owner, the blue has a material bearing on the following discussion) is taken using black and white transparency film (positive film rather than negative, likek a slide but in B&W) exposed through a green filter and the exact same scene is photographed also with B&W transparency film through a red filter. The frames are developed and the resulting transparencies are projected onto a screen one at a time. First lets project the red image through the original red filter.
What do we see? A picture with contrast and rendition based on the amount of red in various objects. The picture could be said to be black and red rather than black and white when viewed on the screen. Now project the picture originally taken through the green filter on the screen but don't use a filter.
What do we see? A black and white image with contrast dependent on the green content of the original scene.
Project the two versions of the scene superimposed on the screen. What do we see?
What indeed. Maybe a pink and black picture. We have red light painting a picture on the screen through a positive transparency and white light painting the same scene through a different transparency. Shouldn't what we see on the screen at any given "POINT" be composed of from 0-100% red mixed with 0-100 white. Shouldn't that be a pink and white picture? Do we see any blue on the blue tractor and if we do where did it come from given we had white light and red light to mix together in shades of pink, how could we get blue?
Right after a few folks volunteer to give a reading on their understanding of what you will see on the screen, I'll amaze you with THE TRUTH and a ref to where to find out more and stuff like that.
Patrick ( Reminded of the way to keep tractor folk in suspense for 24 hrs, , I'll tell y'all tomorow)