That sounds good in theory; but I know I'd be checking cut quality from time to time as I'm moving the stylus against the pattern.
That was sort of my initial concern. I've looked at this with some interest for quick one-off
prototping as it seems to be easy enough to implement. But had a few concerns.
Usage appears to me quite awkward given the pattern is suspended above the work piece.
This may be ok for small area coverage but I expect would grow unwieldy with larger work.
I'd prefer having the pattern situated in the same viewing location as the work relative to
the operator, resulting in more natural operation.
As stated above there is a need to assure the torch travel plane is exactly parallel to the
work piece given the rigid torch mount. This again becomes a greater issue with larger work.
In contrast the horizontal pantograph mechanisms have sufficient vertical flexibility allowing
the torch to follow even an irregular work surface which isn't possible with this mechanism.
Another usage consideration is the torch cutting point must be exactly collinear with the
torch pivot point (and ideally trace stylus point) otherwise error will be introduced as the
torch arm rotates in an arc.
Note this isn't a vertical equivalent of a conventional parallelogram/pantograph linkage, but
essentially a 2 arm, 3 point linkage. In any case the useful precision of both mechanisms
is limited by rigidity of the members in effect from pattern to torch as the mechanism itself
is transferring the x/y position. Eg, any flex in the mechanism from stylus to cutting arc will
result in positioning error of the cut. Here distortion of the frame due to rotational torque
would be the primary concern. While the stress transmitted from stylus to torch should
be minimal in this respect, vibration will deflect the frame particularly near its resonance.
I suppose damping could be added at the cost of increased mass. Horizontal mechanisms
are less of a concern in this sense depending upon degree contact with the work and/or
supporting table.