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OK Didn't see the others or was not as effected by.
No. 2 would not fall under the term "poignant " for me
I suppose no 3 may in terms of what the rider has just experienced in exasperation of her mount so I guess they're may be mental appeal for some.
But the juxtaposition of rider and horse in no 1. has much mental appeal for me for 3 reasons. A. The composition of this shot is superior. It uses the classical "S" type compositional placement. B. The dynamic tension created by the girl looking one way and the horse another adds to the emotional impact of the imagery. This line is so well connected and that the chances of this connection are so absolutely fleeting in photography it becomes moving that it was captured at all. ( I really wish one could see more of the riders face) 3. My own daughters evented for 15 years and everybody lived so there is the mental attachment there as well for me in regard to trucking my kids up and down the east coast for 10 of those years and witnessing their rides in dressage, stadium and cross country.
No. 2 would not fall under the term "poignant " for me
I suppose no 3 may in terms of what the rider has just experienced in exasperation of her mount so I guess they're may be mental appeal for some.
But the juxtaposition of rider and horse in no 1. has much mental appeal for me for 3 reasons. A. The composition of this shot is superior. It uses the classical "S" type compositional placement. B. The dynamic tension created by the girl looking one way and the horse another adds to the emotional impact of the imagery. This line is so well connected and that the chances of this connection are so absolutely fleeting in photography it becomes moving that it was captured at all. ( I really wish one could see more of the riders face) 3. My own daughters evented for 15 years and everybody lived so there is the mental attachment there as well for me in regard to trucking my kids up and down the east coast for 10 of those years and witnessing their rides in dressage, stadium and cross country.